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Jon Olsen

Click any of these 47 items for its unique details

Autumn Fog
Autumn Fog

Price: $45.00
Barns
Barns

Price: $45.00
Birches
Birches

Price: $45.00
Bishops Head
Bishops Head

Price: $45.00
Blue #2
Blue #2

Price: $45.00
Chestnut
Chestnut

Price: $45.00
Clay Hill
Clay Hill

Price: $45.00
Cloudand Road
Cloudand Road

Price: $45.00
Crop Lines
Crop Lines

Price: $45.00
Double Daffodil
Double Daffodil

Price: $45.00
Downhill
Downhill

Price: $45.00
East Barnard Road
East Barnard Road

Price: $45.00
East Hill Farm
East Hill Farm

Price: $45.00
Five Trees
Five Trees

Price: $45.00
Geese
Geese

Price: $45.00
Great Blue Heron
Great Blue Heron

Price: $45.00
Great Egret
Great Egret

Price: $45.00
Green Slope
Green Slope

Price: $45.00
Harbor Fog
Harbor Fog

Price: $45.00
Hosta
Hosta

Price: $45.00
Ice Fishing
Ice Fishing

Price: $45.00
Lake and Mountains
Lake and Mountains

Price: $45.00
Meetinghouse Farm in Snow
Meetinghouse Farm in Snow

Price: $45.00
Meetinghouse Farm
Meetinghouse Farm

Price: $45.00
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Total products in Jon Olsen: 47

 

Jon Olsen Vermont Photographs

Jon Olsen Photographs are available as Archival Prints either matted or matted and framed. Each photograph is offered framed or only matted in either of two sizes:
8 x 10 and 16 x 20

The Olsen 8x10 frame size photographs are:
$45.00 with shrink wrap over an archival matted print
$95.00 with a metal frame with flat black finish.


The Olsen 16x20 frame size photographs are:
$150.00 with shrink wrap & archival matt or
$250.00 with a hardwood frame with flat black finish.


Jon Olsen Photography

At first glance, Jon Olsen's photographs of Vermont look like paintings. The colors are rich but show the essential simplicity of Vermont people, places and botany. They take on a painterly quality. So much so that at Stowe Craft Gallery, many visitors think they are paintings until they delve into the exhibit in more detail.

Olsen's background & process

Over the years I have explored many different forms of photography: black and white, color, different formats, films and printing processes. In the last several years I have made the transition to a process of digital recording, processing and printing. This current set-up allows me the greatest creative control over all aspects of my workflow from conception to final print. A desktop processing system replaces the wet darkroom, but the workflow is much the same: determining exposure, contrast, color temperature, dodging and burning, etc. I use a watercolor paper coated to receive the pigment inks of an Epson printer. These two combine for the best print quality that I have ever been able to achieve, and a highly stable archival print, more so than  could be attained with traditional color print processes

Olsen says he has always been an amateur naturalist and a student of the visual arts. He enjoys exploring the landscape and its many components. He is fascinated by the variations in light, form, texture and color in nature. He is drawn toward pastoral and simplicity in desig



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